Music Production, Performance and Business with Foundation BA Honours

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Course Overview

Attendance

UK Fees £9,790 *
International Fees £17,600 *
Duration 4 or 5 years

* Price per academic year

Course summary

Our degree courses with Foundation year offer the opportunity to prepare you for advanced study before you progress onto a full honours degree at the University of Westminster. Whether you do not feel ready for degree-level study, don’t have the right qualifications, want to change your subject specialism or return to study after an absence from education, we aim to encourage a broad range of students to undertake our Foundation year in order to progress onto their full honours degree with us. 

Our Foundation year in Music is designed to provide you with an introduction to the subject area, and to prepare you for the discipline. It will give you the opportunity to explore new ideas, opening up new perspectives on the key debates within the field. It begins in the first semester with the development of fundamental practical production skills, using software and hardware and an introduction to artistic identity. In the second semester, you are encouraged to undertake focused songwriting and production work, supported by our experienced staff team, for your creative project and to explore other aspects of music production work. These include video and live streaming, live coding and creative practice challenges. All Music Foundation students benefit from workshops in our high-end facilities and from working with leading academics who will encourage you to become a confident and creative thinker. Your practical development is accompanied by modules in both semesters on foundational academic skills – skills that will be essential as you progress to your chosen full degree.

On successful completion of the Foundation year, you will be able to progress on to study for the Music Production, Performance and Business BA Honours degree for a further three years.

Music Production, Performance and Business BA prepares you for a dynamic career across all facets of the music industry. This course not only covers the essential areas of music production, performance, and business, but also emphasises the importance of collaboration within these fields. 

At the heart of our curriculum are authentic group projects that mirror real-world music industry practices. These collaborative projects provide you with hands-on experience, allowing you to assume specific roles within a team and enhance your skills in teamwork, negotiation, and creative synergy. Such experiences are vital in today’s industry.   

Whether you aim to be a music artist, producer, performer, songwriter, composer, musicologist, journalist, DJ, technologist, entrepreneur, business specialist, or educator, this course nurtures your aspirations through a blend of practical experience and academic study. Reflective practice and contextual studies are integrated into the course, positioning our graduates as pioneers and thought leaders in the ever-evolving music industry. 

Our strong industry connections within London's vibrant music scene enable us to offer guest lectures from top professionals and maximise networking opportunities. These connections are further enriched through interdisciplinary collaborations with peers from film, TV, radio, fashion, and media studies. 

Located at the Harrow Campus, the course facilitates a unique collaborative environment not just among music students but also across various creative disciplines. This interdisciplinary approach provides a broad spectrum of opportunities, preparing our graduates for diverse careers in the creative industries and ensuring they have the skills and contacts necessary to expand their professional network and enhance their creative potential.

Learn more about the course and why you should choose to study at Westminster in the Music Production, Performance and Business BA – Q&A with course leader, Leddra Chapman blog.

Top reasons to study with us

  • A flexible course – Our course allows you to follow the path that most suits your future career, while learning about the key fields of commercial music and gaining a broad range of skills
  • Easy access to Central London – Based in Harrow, in north-west London, you'll be just a 20-minute tube ride from the heart of the city and its vibrant music scene, career opportunities and industry events. You'll also benefit from a range of guest speakers thanks to our industry links
  • A track record of success – Our graduates enjoy successful careers across the music industries, including in music synchronisation (Theodore, Wake the Town and Big Sync Music), music management (East City Management, Solar Management), media production (the BBC'S Banks and Wag, Aidan Lavelle, and Roll7's Stephen Bennett, and as artists and producers (Sigala, Bree Runway, Emmy the Great, Jamie Woon)

Modules

Types of module

Our undergraduate courses comprise three types of module:

  • Core modules: compulsory modules that you must take each year
  • Option modules: modules that you can choose from to tailor your course to your interests, normally related to your subject area
  • Elective modules (also called 'Electives'): wider, interdisciplinary modules that you may be able to choose from to broaden your academic experience and skills – covering everything from learning a new language to building enterprise skills

Module availability

We aim to offer a wide range of option modules and electives, but we cannot always guarantee your preferred choices as availability can be affected by timetabling constraints, staff availability or student demand.

Elective modules may be subject to change, but you can look through an indicative list on our University-wide electives page.

For more information

Full details on course structure, modules, teaching and assessment can be found in the programme specification below.

Core modules

This module allows you to develop skills and a broad understanding of working methods, concepts and principles of being a digital practitioner in Music. This lively practice area can include live streams, live coding performances, YouTube production tutorials and listening parties; lyric and visualiser videos; using mobile devices and other assistive technologies in the studio production and performance settings. You'll be challenged to complete a number of short, focused projects, working with platform(s) within the subject area, as a vital part of establishing your practice.

This module is concerned with deepening and consolidating the skills, approaches and strategies developed in semester 1 through a focused, creative project. The module aims to further develop artistic self-expression alongside production skills. These are combined with recognition of the role identity and branding play applied to the field of music. You develop your creative practice through the planning, creation and preparation of your music for release. The creative project template outlines the multi-disciplinary working practices of contemporary producers allowing scope for detailed and specific investigation into two chosen popular music genres. You'll receive group and individual tutorial support leading to the development of a project proposal. Once approved by the staff team, you then progress to realising your work leading to a public release.

Critical thinking is fundamental to our ability to progress in an increasingly complex and changing world. It is an essential skill across a range of academic and practice-based disciplines.

This module helps you understand the importance and function of critical thinking both at university and beyond. By working in partnership with academic staff and peers, you will explore how critical thinking aligns with disciplinary practices, shapes scholarly knowledge, and addresses inequalities. Through problem-posing education and anti-racist practices, you will engage with real-world problems, fostering the ability to create a more just and sustainable world.

This module introduces you to the key academic, professional, and personal skills essential for success at university. It encourages good practices in writing, presentation, and time management, while also fostering reflection to help you build confidence as you transition to higher education. Open to all students enrolled in courses delivered through Westminster Foundation Pathways, the module provides a creative and supportive environment where you can reflect on and develop their academic and professional journey. You'll work with specialist facilitators who play a crucial role in guiding your academic and professional development.

With a focus on managing academic choices in a higher education setting, the module emphasises the importance of the United Nations Sustainable Development Goals (SDGs), using methodologies that prioritise equality, diversity, and inclusion. Through these lenses, you'll explore topics that prepare you to address real-world challenges as highlighted in the SDGs in a socially conscious, inclusive, and responsible manner.

This module will introduce you to the role identity plays in creative practice. You will explore a diverse set of artist producer’s creative outputs, as well as their business links, within the broader social and political cultures around music. This is with particular emphasis on sustainability, equality, inclusion and diversity. In this module, you'll have the opportunity to research a chosen artist/producer and explore how you communicate with their fans through artistic outputs. You'll apply the research by devising a digital marketing strategy for a music artist, a music event or a music product. This digital marketing strategy assists you in generating usable artefacts such as bios, press releases and artwork for different social media platforms.

The module is designed to support new work by developing an understanding between cultural research and artistic communication with fans and complements the modules Introduction to Academic Practice (3ACHE003W) and Critical Thinking in a Changing World (3ACHE004W). Ideas developed within this module will have applicability in subsequent Music Foundation modules, 'Becoming A Digital Practitioner For Music' and 'Creative Project'.

This module introduces you to the art and craft of music production using industry standard tools and software. The module will encourage discussion about and evaluation of the role of the music producer, especially that of the Artist-Producer. You'll develop key critical listening skills through the dissection of current tracks and peer review playback sessions. Overall, the module will develop digital skills, critical listening and technical discipline-related competencies designed to foster both solo and collaborative creative practice in music.

Core modules

This module exposes you to a range of creative practices, analytical skills and psychological strategies that you can feed into your artistic development.

This module immerses you in a set of real-world music industry projects. Participants work in teams on collaborative tasks, including business, songwriting, production and performance, leading to a music release. The curriculum fosters fundamental skills and industry insights, preparing you for the collaborative nature of the music industry.

This module provides an induction and understanding of creative and collaborative research practice, assessment processes and group working required in creative practice subjects. The module will introduce you to the University’s commitment to the United Nations’ Sustainability Development Goals (SDGs).

You'll be challenged to experiment individually, undertaking contextual and practical research, which will contribute to a significant group project where students will be allocated creative roles in groups working collaboratively.

As well as exploring creative processes, the module provides an opportunity for you to gain an understanding of other disciplines, and if you choose, to work with students from other disciplines, or use disciplinary approaches beyond your own course of study. It also introduces you to the wider community of creative practice at the Harrow Campus.

This module introduces you to the complex network of stakeholders that make up music industries. The module will explore the key developments that have influenced different stakeholders in the music industries from music makers, music publishers, record companies, digital aggregators, and streaming service providers. The module will consider emergent AI in its three main areas of Music Information Retrieval, Creativity and AI as a competitor. The module will explore how public policy and entrepreneurialism are at the heart of the contemporary music industries.

This module will enable you to gain confidence in using digital tools by learning the fundamentals of music production and developing an individual creative practice sound. You'll be required to produce industry-standard productions employing bold and innovative methods. Overall, the module will develop digital skills, critical thinking and listening and technical, discipline-related competencies designed to foster creative practice in music.

Option modules

This module investigates the profound impact of Black British music cultures on the UK's post-war popular music landscape. Focusing on the African diaspora's essential role, it explores marginalised British groups' vital contributions. Drawing from the BMRU archive, it connects pioneering British Black music innovations like dub plates, breakbeats, and genres like jungle, drum, bass, garage, grime. It highlights these music economies under-explored importance. Incorporating research by UK music bodies like BLiM, BAD, MU, and contemporary student work, it holistically examines British popular music outsider origins through a culturally-grounded, interdisciplinary lens synthesising oral histories, sociology, diaspora narratives, and music business.

This module introduces students to professional songwriting and music publishing through creative work, collaboration and industry briefs. Students will develop songs either from a publishing or songwriting role, exploring commercial and creative decision making and gaining a practical understanding of roles, rights, contracts and the wider music industry.

In this module, students will explore concepts, techniques, and creative processes involved in contemporary music production, particularly in the context of recording, music creation, and mixing of recorded music, using industry-standard tools and software. The role of the music producer is discussed throughout the entire module and continuously evaluates the producer-artist relationship, including contexts in which the producer also functions as the artist.

Core modules

This module offers a deep dive into the live music industry, blending production, performance, and business aspects. You'll plan and execute live events, engaging with current technologies and creative strategies. Emphasis on teamwork and critical reflection prepares them for diverse industry roles, enhancing skills in event management, sound engineering, and artistic performance.

This year-long module develops skills in music marketing, digital creativity, and online communication. Students learn key marketing principles, audience engagement, and brand development while creating digital content and online identities. Through practical tasks and collaboration, they apply theory to produce effective, reflective, and professionally informed creative work.

This module introduces you to the professional creative industries and provides you with experience of related workplace environments, relevant to the host course, through a range of tailored professional projects, including a work placement (alternatives may include client-set briefs and curated public events). Taught sessions introduce different career possibilities and provide an overview of professional skills, as well as introducing you to relevant support within the University and external professional networks and support services.

Option modules

This module develops your technical and creative skills in programming, recording, arranging and mixing contemporary music. You'll explore arrangement, vocal production, sound design, and digital audio workstation (DAW) techniques while analysing current industry trends. Practical projects and collaborative studio sessions are used to identify professional workflows and artistic identity in contemporary music production.

The module is delivered by the Black Music Research Unit (BMRU) external music industry experts, and guest speakers. This module introduces you to a range of accessible early career funding opportunities for musicians, performers and business projects. As well as providing an outline of the current UK funding landscape, this module prepares you to understand, plan and prepare for the different requirements between investment, funders, and different streams of capital. A key deliverable and learning outcome for you will be understanding how to adapt your content to meet different funder requirements from three key stakeholders. These are trade body/governmental organisations, music organisations, and angel investors.

Composing and Performing for Media is a dynamic module that sees you placed in authentic learning environments as you are challenged to compose and perform music for video games, brands, music, adverts and library companies. You'll work on professional briefs designed to facilitate the skills and knowledge required to work as a professional creative. The primary outcome of the module is to showcase the expanding opportunities for composers and performers working in the media. This will also require you to work together as artists, producers, musicians and performers to deliver creative work that meets a professional brief and develop the communication skills and resilience needed for this competitive creative sector.

Synchronisation involves the licensing and creative use of commercial music by non-music industry businesses in visual products and media (ie music in advertising, TV, film, video games and online content). Synchronisation, along with 'brand collaborations' between musicians and brands for online content, is an increasingly important income stream for young musicians and producers. As a growth sector in the music industry, synchronisation also offers early career job opportunities for music students looking to work in the music industry.

The aim of this module is to teach you the real world creative, legal and business processes involved in a 'sync' project and create a portfolio demonstrating the acquisition of such skills. In addition, you'll also undertake a piece of contextual and professional research analysing a brand collaboration between an artist and a brand. As well as helping those who wish to pursue a career as artists and managers gain competence in dealing in this area, the module also aims to make you work ready should you wish to apply for entry-level jobs in the synchronisation field. This module is thus relevant to music students on all pathways (performance, production and business/enterprise) but will also be valuable to students studying industries which license and use music creatively (film, TV, media, fashion, games, etc).

Between Years 2 and 3, you’ll have the opportunity to undertake a professional placement year in industry. Completing the placement year will lead to the final award Bachelor of Arts with Honours – Music Production, Performance and Business with Professional Experience.

Find out more about the costs involved in taking a placement year.

Core modules

The Final Major Project is the culmination of the production, performance and business degree course and the opportunity for you to create innovative and ‘remarkable’ work. You will apply knowledge and experience from Levels 4 and 5 to create a large-scale project with tutorial support, reflecting your career ambitions. In many cases, this may extend from work developed in previous modules; equally, it may allow you to explore and investigate a new direction. The first project phase confirms the conceptual framework, aims, structure, schedule and budgets (the project proposal); the main phase delivers the external-facing project.

Through self-directed research, informed by work experience, you'll develop a critical understanding of a chosen specialism within music practice, with particular attention to the specific demands of freelance work and entry-level employment in that area. You'll relate their learning in music production, performance, and business to the skills required in the workplace, thereby enhancing their ability to present and promote both their disciplinary expertise and transferable skills in a professional context.

Option modules

The following modules are examples of study options on this course.

For the full list of option modules, see the programme specification.

The module addresses the activities necessary for Advanced Audio Production briefs and working in a professional context, to current professional practice standards. You can select a mode for working in a professional context in negotiation with your tutor, and on the objectives that you aim to achieve within the learning outcomes of the module. This module is designed to encourage you to engage with innovative professional, technical, and creative practices across various areas of audio production. You'll be challenged to synthesise a wide range of unfamiliar audio concepts into audio production and creative practice. The main outcome of this module will be to make you more aware of the wide variety of career opportunities available within the field of audio production, thus enabling you to explore new possibilities and encourage you to take a bold, experimental approach to audio production ideas and to further develop your unique producer identity.

This module explores advanced songwriting through practical exercises and critical evaluation of industry standards. You will engage in hands-on creation, applying varied techniques to develop their unique artistic identity, while workshops and feedback sessions enhance skills and challenge conventions, preparing you for professional practice.

This module offers you the chance to develop your enterprise skills and grasp the cultural aspects, opportunities, and challenges involved in creating music for audio-visual contexts. The module is delivered by the Black Music Research Unit (BMRU), external music industry experts, and guest speakers. You can provide pre-existing material and or produce original music for audio-visual contexts, in line with industry protocols, conventions, and expectations. Unique to the module, you'll be expected to deliver dual outputs, which are an increasing feature of the sector. These include, but are not limited to, music for audio-visual contexts alongside soundtrack albums targeting a commercial audience.

This module provides an introduction to and understanding of the way in which the music industry manages and analyses big data and metrics. You'll explore the use of AI-driven algorithms and metrics by major corporations to increase user engagement and will be challenged within the context of a group project to engage in the practical application of user analytics to develop a coherent artist marketing strategy from the perspective of an artist or artist/manager.

This module will explore the relationship between copyright law and contract law, examining contract law as it applies to the music and media industries and also the wider entertainment and technology industries. You'll examine the how contract law has to play a significant role within the music and media industries and how the reliance on contract is impacting, positively and negatively, on revenue streams within the music industries.

'This is an innovative module that blends conceptual understanding and practical skills in music technology. Aimed at students with basic DAW and sound engineering knowledge, it offers hands-on learning through lectures, workshops, and tutorials. Focusing on electronic performance tools, the module encourages you to explore the dynamic relationship between technology, stage presence, and audience engagement. You'll learn about performance setups, artist branding, and the creative process, using case studies and academic research to enhance your critical thinking and creativity in music technology.

This module explores music business specialisms and takes a critical look at the role of development, risk and entrepreneurship in new business models across music and corresponding media and entertainment industries. You'll be encouraged to be creative and to produce focused research for supporting and justifying real-world business plans that may be taken into your future careers. Overall, the module introduces you to the academic and practical concepts required to start an actual business culminating in the creation of a minimum viable product (M.V.P) presentation aimed at acquiring funding either through a professional body or crowdfunded.

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Programme specification

For more details on course structure, modules, teaching and assessment Download the programme specification (PDF).

To request an accessible version please email [email protected]

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Get in touch

Contact us for general course enquiries:

+44 (0)20 7911 5000 EXT 65511
(Mon–Fri, 10am–4pm BST)

[email protected]

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Open days

Join us at an open day online or on campus. Get a feel for student life at the University of Westminster and talk to course leaders and our support teams.

Careers

Our graduates have gone on to have huge and diverse success. Our alumni include members of the bands Rudimental, The Feeling, Plan B and Arctic Lake as well as successful artists such as Jamie Woon, Tom Baxter, Emmy The Great, globally established trance act Above and Beyond, and Grammy Award-winning Al Shux.

Successful graduates

Our graduates enjoy successful careers across the music industries, including in music synchronisation, music management, media production, and as artists and producers. 

Play and perform at our masterclasses

You'll get the opportunity to perform and play your music to industry guests including publishers, artist managers, A&R and other songwriting and production specialists.

3,000

Employers

Access a network of over 3,000 employers at the University’s new home for careers and enterprise, Zone29.

Work experience

We have strong links with various record labels, publishers, writers and managers, as well as the music rights organisations PRS and PPL. We encourage as many students as possible to attend industry events to grow their contacts and seek work opportunities, by providing many students with free passes to attend industry conferences, workshops and expos.

We invite industry professionals to speak at events on campus, providing students with additional opportunities to extend their networks and to ask key questions.

Our students have completed internships for various record labels and artist management companies, which in the past have included:

  • AEG
  • All Points East
  • Beggars Banquet
  • Big Sync Music
  • British Summer Time Festival
  • East City Management
  • Full Time Hobby
  • Mute
  • Solar Management

Job roles

Our course equips you for diverse career opportunities, allowing you to follow a specific career path, while also gaining the transferable skills needed for employment in all areas of the music industry. 

You'll be encouraged to develop your professional status while studying on the course, and to incorporate professional and industry-focused activities into your academic work.

University of Westminster music graduates have gone on to have successful careers as:

  • Academics
  • Artist managers
  • Branding and marketing experts
  • Entertainment lawyers
  • Film sound designers
  • Freelance musicians
  • Live music promoters
  • Music artists
  • Music educators
  • Music journalists
  • Music producers
  • Music publishers
  • Music therapists
  • Music venue managers
  • Record label executives
  • Social media managers
  • Songwriters
  • Studio engineers

Graduate success

Our graduates are employed throughout the London music industries at major and independent record labels, production studios and concert venues, media companies including Disney, and in various areas of entertainment law. Our graduates include:

  • David Bass graduated in 2004 and formed two music synchronisation companies, Wake The Town and Theodore. Both companies were nominated for several awards by Music Week in 2019, and they are known for their Christmas IKEA advert, Silence the Critics
  • Sigala graduated in 2013, and had a UK Number 1 single in September 2015 with ‘Easy Love’, and another three UK Top Ten singles in 2015 and 2016, when he was signed to Sony on a multi-year, multi-million-pound deal
  • Tom Overbury graduated in 2010, and is a Senior A&R Manager with Warner Chappell UK. Tom was named as one of '30 under 30’ rising global music industry executives by Music Week in 2014
  • Chelsea Zevenbergen graduated in 2010 and is an established artist manager, having assisted and managed artists for ATC including Laura Mvula and Eliza Doolittle. She now works as part of the team at East City Management managing Alt-J and Wolf Alice and leads development in mindfulness and wellbeing for artists 
  • Szjerdene Mulcare graduated in 2010 and is now an established vocalist and musician primarily working with the British artist Bonobo, featuring on his 2013 album The North Borders (Ninja Tune), and accompanying world tour
  • Nathan Cassells graduated in 2011, and in 2012 co-wrote and co-produced the song ‘What Now’ for Rihanna’s Unapologetic album. The single peaked at Number 21 in the UK and Number 25 in the US
  • Charlotte Baker graduated in 2016, and took a position as tour manager for the rapper Angel Haze and Snoh Aalegra, and artist manager of AYA
  • Kaz Rodriguez graduated in 2014 and has a distinguished career as a professional drummer and composer. In 2019 he signed to Josh Groban's label and continues his drumless recording series with his fourth album
  • Andrew Stafford graduated in 2009 and has since set up Big Sync Music, a creative licensing agency who work directly for brands and ad agencies. Clients include Heinz, Pepsico, Unilever, Samsung, BMW, ASDA, The National Lottery and Unicef

Unlock your career potential at Zone29

Zone29 is our new home of careers and enterprise.

Our doors are set to open in spring 2026, but game-changing opportunities are available now, such as: 

  • jobs, placements and work experience
  • tailored career guidance and mentoring
  • step-by-step career planning through the Westminster Award
  • work and study abroad programmes
  • help with starting your own business or freelancing

Visit our Zone29 website

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International Opportunities

Many of our courses offer international study and work experiences, and the University provides other global opportunities that all students can apply for – so whatever you're studying, you'll have the chance to go abroad.

Opportunities could include:

  • Taking part in semester or year-long exchanges at institutions around the world
  • Attending an international summer school or field trip
  • Developing your CV through volunteering or work placements abroad

International experience broadens horizons, boosts self-confidence, and improves global understanding, alongside being fantastic for your career.

Find out more about our international opportunities, including funding options and where you can go.

Students working and studying internationally

Course Leaders

Hussein Boon's profile photo

Our course is about sharing skills, insights, stories, experiences and practice, rooted in music excellence through a diverse music output that is representative of the music industry."

Hussein Boon

Principal Lecturer

Hussein has worked for over three decades in music. He is a multi-instrumentalist, composer, music technologist and music educator with a diverse range of recording, writing, performance, touring, and music business and education experience in the UK and abroad, delivering high-profile projects for various organisations. The variety of roles that he has worked in – and continues to work in – are of value to all students and staff on the course.

More about meSee full profile of Hussein Boon

Leddra Chapman

Senior Lecturer

Leddra is an independent singer/songwriter releasing heartfelt folk/pop music with over 30 million streams worldwide. Her debut album Telling Tales was noted as ‘pitch-perfect acoustic pop’ by The Independent, and one of Ed Sheeran's 'favourite albums of the year' (GQ). Leddra has collaborated numerous times with Sheeran and provided guest vocals on his album, +.

Her music has been playlisted many times by BBC Radio 2, including Record of The Week for her single All About You. Leddra has also toured throughout Europe, both as a headline act and supporting the likes of Ed Sheeran, Tom Jones, Ben Howard, Gabrielle, Katie Melua and more. She recently recorded new material at Spotify’s Secret Genius Studio at Metropolis, and returned to the stage in January 2023 with two sold out London shows.

More about meSee full profile of Leddra Chapman
Profile photo of Leddara Chapman's profile photo

Our curriculum reflects authentic industry practices, and our network of expert tutors and contacts within the vibrant London music community provides unique opportunities for experiential learning. 

Why study this course?

Easy access to Central London

Based just a 20-minute tube ride from the heart of the city, you'll be perfectly placed to get involved in London's thriving music scene. 

Music industry links

We have strong links with various record labels, publishers, writers and managers, as well as the music rights organisations PRS and PPL, and regularly invite industry professionals to speak at events on campus.

Learn in a creative environment

You’ll study alongside students from film, photography, music, fashion and journalism, in a creative and collaborative environment.

Student work

Tracks from the University of Westminster’s music students - past and present - have been curated for your enjoyment in a special playlist on Spotify.

From Sigala to Michael Kiwanuka, Jamie Woon to Rudimental, we have created a Spotify playlist that brings together some audio highlights from some of our talented and influential students.

All tracks on the playlist are either performed, written or produced by our Music students.

Head over to Spotify to listen to the full playlist.

Westminster Degree Shows

The Westminster Degree Shows are an annual collection that showcases the creativity, vibrancy and artistic talent of our undergraduate arts courses. You can see the latest online collection on Westminster Degree Shows.                                                                                                                       

Image: student work by Nathan Hunter – Illustration BA
Westminster Degree Shows 2024

Entry Requirements

  • A Levels – DD (48 UCAS Tariff points)
  • T levels – 48 UCAS Tariff points
  • International Baccalaureate – 48 UCAS Tariff points from all components of the Diploma Programme. International Baccalaureate Career-related Programme will be considered on a case-by-case basis
  • BTEC Extended Diploma – PPP
  • BTEC Diploma – MP
  • Access – 48 UCAS Tariff points from the Access course

In addition to one of the above, you should have: 

  • GCSE English Language grade 4/C – IB grade 4 Higher Level

If your first language is not English, you will need an IELTS of 6.0 overall, with 5.5 in each component.

Applicants who meet the entry requirements will be asked to submit a short portfolio of their current production work. This will be two tracks, which can be submitted using Google Drive or Dropbox, or via social media sites such as SoundCloud, YouTube, Bandcamp or similar. The tracks are to demonstrate production work and only need to be demos. 

We also welcome applications from students who are taking a combinations of qualifications listed above. For further information, please contact Course Enquiries.

View more information about our entry requirements and the application process

Portfolio guidance

Number of recommended portfolio pieces. 

A maximum of two portfolio pieces. 

What should I include in my portfolio submission?

Music Foundation Portfolio requirements:

Tracks

Provide links to 2 tracks of your current production work. These can be submitted using Google Drive or Dropbox, or via social media sites such as SoundCloud, YouTube, Bandcamp or similar. The tracks should demonstrate your production work and only need to be demos.

Please make sure your tracks meet the requirements:

  • Tracks should be no shorter than 2 minutes in length with 3 minutes as the ideal. 
  • Please do not use backing tracks sourced from YouTube, Soundcloud, Beat Stars and so on.
  • We are interested in hearing your own music, so you should make sure that at least one of the pieces submitted is your own composition. 

Written Work

We would also like you to complete one piece of reflective academic written work. This is a 350 word written exercise, where you reflect on the following question: 

In what ways has your experience of music and your chosen style or genre specialism prepared you for a sustainable career in the music industry?

The following video will help you to formulate your perspective, especially the distance between taste and execution: https://www.youtube.com/watch?v=X2wLP0izeJE

The link might not be available to everyone, so here is a transcript:

"What nobody tells people who are beginners — and I really wish someone had told this to me . . . is that all of us who do creative work, we get into it because we have good taste. But there is this gap. For the first couple years you make stuff, and it’s just not that good. It’s trying to be good, it has potential, but it’s not.

But your taste, the thing that got you into the game, is still killer. And your taste is why your work disappoints you. A lot of people never get past this phase. They quit. Most people I know who do interesting, creative work went through years of this. We know our work doesn't have this special thing that we want it to have. We all go through this. And if you are just starting out or you are still in this phase, you gotta know it’s normal and the most important thing you can do is do a lot of work. Put yourself on a deadline so that every week you will finish one story [song or performance].

It is only by going through a volume of work that you will close that gap, and your work will be as good as your ambitions. And I took longer to figure out how to do this than anyone I've ever met. It’s gonna take a while. It’s normal to take a while. You've just gotta fight your way through." Ira Glass 

In your writing, we are looking for clarity and quality of thought and expression, supported by objective reasoning and reflection. You need to present evidence of your ability to produce creative thinking on your specialism issues by critically addressing and assessing key areas of your music production, performance and business practice. Include links to social networks and social media use to illustrate points in your essay.

How should I structure my portfolio?

Format and Access:

  • You may submit your portfolio via Google Drive, Dropbox, or a similar cloud storage service, ensuring that access is granted to anyone with the link.
  • Alternatively, you can submit a PDF or Word document with hyperlinks to your work, such as tracks, videos, or reports.
  • Written work must be submitted as a Word document.
  • For tracks, you can hyperlink to streaming platforms. Please ensure that private YouTube or SoundCloud links are accessible with the provided link.
  • For videos, ensure these are of a high enough quality to be viewed clearly (preferably 720p or higher).  

How will my portfolio be evaluated?

The approach of the Foundation year is to develop core skills in making musical and academic work. Your portfolio is assessed on your current production level and how the course can best assist you in developing your skills, providing you with a good solid start for working in music. 

What happens next?

Your portfolio and application will be reviewed by one of the academic team and selected applicants ill be invited to an applicant event that allows you to experience the university campus and course learning. 

Top tip from our course team 

Whatever the genre or field of the music industry you are most interested in or have skills in, showcase your originality and creativity. Let your unique voice and aspirations shine through in your portfolio.

Please do not send in portfolios until requested to do so by the University's Admissions team. You will be notified by email about when to submit your portfolio.

International Baccalaureate 

48 UCAS Tariff points from all components of the Diploma Programme. International Baccalaureate Career-related Programme will be considered on a case-by-case basis. You can refer to the UCAS calculator to determine your point score. Find out more about acceptance of the International and European Baccalaureate.

Other international qualifications

We accept a wide range of international high school level qualifications.  Please see information on country-specific entry requirements.

International Foundation courses

We work in partnership with Kaplan International College London who provide the International Foundation Certificate at their College based in Liverpool Street. These courses are for students who don’t meet our direct entry requirements. Upon successful completion, you can progress to your chosen degree at the University of Westminster. Find out more about the different university preparation courses that are accepted for entry.

​​​​​​English language requirements

If your first language is not English, you will need an IELTS of 6.0 overall, with 5.5 in each component. Please note we accept a wide range of English language qualifications and assessments.  Find out more at English language requirements.

If you don't meet the English language requirements yet, then we offer online and on campus pre-sessional English programmes to help develop your English language skills to the required level before you start your course. Find out more about our pre-sessional English programmes.

Direct (Advanced) Entry or Transfer

Direct entry to Year 2 may be available for some of our programmes. You will need to have already successfully completed part of your undergraduate course elsewhere with the relevant number of credits of a comparable degree, or have passed an International Year One programme at a recognised partner institution. We are unable to consider applications from international students who have failed Year 1 or who are not eligible to progress within their current programme of study. Please note that admission to Year 3 is rarely granted. Applications for direct entry are made through UCAS, selecting the appropriate 'point of entry' whilst making your application e.g. for second year entry you would choose point of entry 2. 

More information

Applicants who meet the entry requirements will be asked to submit a short portfolio of their current production work. This will be two tracks, which can be submitted using Google Drive or Dropbox, or via social media sites such as SoundCloud, YouTube, Bandcamp or similar. The tracks are to demonstrate production work and only need to be demos. 

Portfolio guidance

Number of recommended portfolio pieces. 

A maximum of two portfolio pieces. 

What should I include in my portfolio submission?

Music Foundation Portfolio requirements:

Tracks

Provide links to 2 tracks of your current production work. These can be submitted using Google Drive or Dropbox, or via social media sites such as SoundCloud, YouTube, Bandcamp or similar. The tracks should demonstrate your production work and only need to be demos.

Please make sure your tracks meet the requirements:

  • Tracks should be no shorter than 2 minutes in length with 3 minutes as the ideal. 
  • Please do not use backing tracks sourced from YouTube, Soundcloud, Beat Stars and so on.
  • We are interested in hearing your own music, so you should make sure that at least one of the pieces submitted is your own composition. 

Written Work

We would also like you to complete one piece of reflective academic written work. This is a 350 word written exercise, where you reflect on the following question: 

In what ways has your experience of music and your chosen style or genre specialism prepared you for a sustainable career in the music industry?

The following video will help you to formulate your perspective, especially the distance between taste and execution: https://www.youtube.com/watch?v=X2wLP0izeJE

The link might not be available to everyone, so here is a transcript:

"What nobody tells people who are beginners — and I really wish someone had told this to me . . . is that all of us who do creative work, we get into it because we have good taste. But there is this gap. For the first couple years you make stuff, and it’s just not that good. It’s trying to be good, it has potential, but it’s not.

But your taste, the thing that got you into the game, is still killer. And your taste is why your work disappoints you. A lot of people never get past this phase. They quit. Most people I know who do interesting, creative work went through years of this. We know our work doesn't have this special thing that we want it to have. We all go through this. And if you are just starting out or you are still in this phase, you gotta know it’s normal and the most important thing you can do is do a lot of work. Put yourself on a deadline so that every week you will finish one story [song or performance].

It is only by going through a volume of work that you will close that gap, and your work will be as good as your ambitions. And I took longer to figure out how to do this than anyone I've ever met. It’s gonna take a while. It’s normal to take a while. You've just gotta fight your way through." Ira Glass 

In your writing, we are looking for clarity and quality of thought and expression, supported by objective reasoning and reflection. You need to present evidence of your ability to produce creative thinking on your specialism issues by critically addressing and assessing key areas of your music production, performance and business practice. Include links to social networks and social media use to illustrate points in your essay.

How should I structure my portfolio?

Format and Access:

  • You may submit your portfolio via Google Drive, Dropbox, or a similar cloud storage service, ensuring that access is granted to anyone with the link.
  • Alternatively, you can submit a PDF or Word document with hyperlinks to your work, such as tracks, videos, or reports.
  • Written work must be submitted as a Word document.
  • For tracks, you can hyperlink to streaming platforms. Please ensure that private YouTube or SoundCloud links are accessible with the provided link.
  • For videos, ensure these are of a high enough quality to be viewed clearly (preferably 720p or higher).  

How will my portfolio be evaluated?

The approach of the Foundation year is to develop core skills in making musical and academic work. Your portfolio is assessed on your current production level and how the course can best assist you in developing your skills, providing you with a good solid start for working in music. 

What happens next?

Your portfolio and application will be reviewed by one of the academic team and selected applicants ill be invited to an applicant event that allows you to experience the university campus and course learning. 

Top tip from our course team 

Whatever the genre or field of the music industry you are most interested in or have skills in, showcase your originality and creativity. Let your unique voice and aspirations shine through in your portfolio.

Please do not send in portfolios until requested to do so by the University's Admissions team. You will be notified by email about when to submit your portfolio.

  • A Levels – DD (48 UCAS Tariff points)
  • T levels – 48 UCAS Tariff points
  • International Baccalaureate – 48 UCAS Tariff points from all components of the Diploma Programme. International Baccalaureate Career-related Programme will be considered on a case-by-case basis
  • BTEC Extended Diploma – PPP
  • BTEC Diploma – MP
  • Access – 48 UCAS Tariff points from the Access course

In addition to one of the above, you should have: 

  • GCSE English Language grade 4/C – IB grade 4 Higher Level

If your first language is not English, you will need an IELTS of 6.0 overall, with 5.5 in each component.

Applicants who meet the entry requirements will be asked to submit a short portfolio of their current production work. This will be two tracks, which can be submitted using Google Drive or Dropbox, or via social media sites such as SoundCloud, YouTube, Bandcamp or similar. The tracks are to demonstrate production work and only need to be demos. 

We also welcome applications from students who are taking a combinations of qualifications listed above. For further information, please contact Course Enquiries.

View more information about our entry requirements and the application process

Portfolio guidance

Number of recommended portfolio pieces. 

A maximum of two portfolio pieces. 

What should I include in my portfolio submission?

Music Foundation Portfolio requirements:

Tracks

Provide links to 2 tracks of your current production work. These can be submitted using Google Drive or Dropbox, or via social media sites such as SoundCloud, YouTube, Bandcamp or similar. The tracks should demonstrate your production work and only need to be demos.

Please make sure your tracks meet the requirements:

  • Tracks should be no shorter than 2 minutes in length with 3 minutes as the ideal. 
  • Please do not use backing tracks sourced from YouTube, Soundcloud, Beat Stars and so on.
  • We are interested in hearing your own music, so you should make sure that at least one of the pieces submitted is your own composition. 

Written Work

We would also like you to complete one piece of reflective academic written work. This is a 350 word written exercise, where you reflect on the following question: 

In what ways has your experience of music and your chosen style or genre specialism prepared you for a sustainable career in the music industry?

The following video will help you to formulate your perspective, especially the distance between taste and execution: https://www.youtube.com/watch?v=X2wLP0izeJE

The link might not be available to everyone, so here is a transcript:

"What nobody tells people who are beginners — and I really wish someone had told this to me . . . is that all of us who do creative work, we get into it because we have good taste. But there is this gap. For the first couple years you make stuff, and it’s just not that good. It’s trying to be good, it has potential, but it’s not.

But your taste, the thing that got you into the game, is still killer. And your taste is why your work disappoints you. A lot of people never get past this phase. They quit. Most people I know who do interesting, creative work went through years of this. We know our work doesn't have this special thing that we want it to have. We all go through this. And if you are just starting out or you are still in this phase, you gotta know it’s normal and the most important thing you can do is do a lot of work. Put yourself on a deadline so that every week you will finish one story [song or performance].

It is only by going through a volume of work that you will close that gap, and your work will be as good as your ambitions. And I took longer to figure out how to do this than anyone I've ever met. It’s gonna take a while. It’s normal to take a while. You've just gotta fight your way through." Ira Glass 

In your writing, we are looking for clarity and quality of thought and expression, supported by objective reasoning and reflection. You need to present evidence of your ability to produce creative thinking on your specialism issues by critically addressing and assessing key areas of your music production, performance and business practice. Include links to social networks and social media use to illustrate points in your essay.

How should I structure my portfolio?

Format and Access:

  • You may submit your portfolio via Google Drive, Dropbox, or a similar cloud storage service, ensuring that access is granted to anyone with the link.
  • Alternatively, you can submit a PDF or Word document with hyperlinks to your work, such as tracks, videos, or reports.
  • Written work must be submitted as a Word document.
  • For tracks, you can hyperlink to streaming platforms. Please ensure that private YouTube or SoundCloud links are accessible with the provided link.
  • For videos, ensure these are of a high enough quality to be viewed clearly (preferably 720p or higher).  

How will my portfolio be evaluated?

The approach of the Foundation year is to develop core skills in making musical and academic work. Your portfolio is assessed on your current production level and how the course can best assist you in developing your skills, providing you with a good solid start for working in music. 

What happens next?

Your portfolio and application will be reviewed by one of the academic team and selected applicants ill be invited to an applicant event that allows you to experience the university campus and course learning. 

Top tip from our course team 

Whatever the genre or field of the music industry you are most interested in or have skills in, showcase your originality and creativity. Let your unique voice and aspirations shine through in your portfolio.

Please do not send in portfolios until requested to do so by the University's Admissions team. You will be notified by email about when to submit your portfolio.

International Baccalaureate 

48 UCAS Tariff points from all components of the Diploma Programme. International Baccalaureate Career-related Programme will be considered on a case-by-case basis. You can refer to the UCAS calculator to determine your point score. Find out more about acceptance of the International and European Baccalaureate.

Other international qualifications

We accept a wide range of international high school level qualifications.  Please see information on country-specific entry requirements.

International Foundation courses

We work in partnership with Kaplan International College London who provide the International Foundation Certificate at their College based in Liverpool Street. These courses are for students who don’t meet our direct entry requirements. Upon successful completion, you can progress to your chosen degree at the University of Westminster. Find out more about the different university preparation courses that are accepted for entry.

​​​​​​English language requirements

If your first language is not English, you will need an IELTS of 6.0 overall, with 5.5 in each component. Please note we accept a wide range of English language qualifications and assessments.  Find out more at English language requirements.

If you don't meet the English language requirements yet, then we offer online and on campus pre-sessional English programmes to help develop your English language skills to the required level before you start your course. Find out more about our pre-sessional English programmes.

Direct (Advanced) Entry or Transfer

Direct entry to Year 2 may be available for some of our programmes. You will need to have already successfully completed part of your undergraduate course elsewhere with the relevant number of credits of a comparable degree, or have passed an International Year One programme at a recognised partner institution. We are unable to consider applications from international students who have failed Year 1 or who are not eligible to progress within their current programme of study. Please note that admission to Year 3 is rarely granted. Applications for direct entry are made through UCAS, selecting the appropriate 'point of entry' whilst making your application e.g. for second year entry you would choose point of entry 2. 

More information

Applicants who meet the entry requirements will be asked to submit a short portfolio of their current production work. This will be two tracks, which can be submitted using Google Drive or Dropbox, or via social media sites such as SoundCloud, YouTube, Bandcamp or similar. The tracks are to demonstrate production work and only need to be demos. 

Portfolio guidance

Number of recommended portfolio pieces. 

A maximum of two portfolio pieces. 

What should I include in my portfolio submission?

Music Foundation Portfolio requirements:

Tracks

Provide links to 2 tracks of your current production work. These can be submitted using Google Drive or Dropbox, or via social media sites such as SoundCloud, YouTube, Bandcamp or similar. The tracks should demonstrate your production work and only need to be demos.

Please make sure your tracks meet the requirements:

  • Tracks should be no shorter than 2 minutes in length with 3 minutes as the ideal. 
  • Please do not use backing tracks sourced from YouTube, Soundcloud, Beat Stars and so on.
  • We are interested in hearing your own music, so you should make sure that at least one of the pieces submitted is your own composition. 

Written Work

We would also like you to complete one piece of reflective academic written work. This is a 350 word written exercise, where you reflect on the following question: 

In what ways has your experience of music and your chosen style or genre specialism prepared you for a sustainable career in the music industry?

The following video will help you to formulate your perspective, especially the distance between taste and execution: https://www.youtube.com/watch?v=X2wLP0izeJE

The link might not be available to everyone, so here is a transcript:

"What nobody tells people who are beginners — and I really wish someone had told this to me . . . is that all of us who do creative work, we get into it because we have good taste. But there is this gap. For the first couple years you make stuff, and it’s just not that good. It’s trying to be good, it has potential, but it’s not.

But your taste, the thing that got you into the game, is still killer. And your taste is why your work disappoints you. A lot of people never get past this phase. They quit. Most people I know who do interesting, creative work went through years of this. We know our work doesn't have this special thing that we want it to have. We all go through this. And if you are just starting out or you are still in this phase, you gotta know it’s normal and the most important thing you can do is do a lot of work. Put yourself on a deadline so that every week you will finish one story [song or performance].

It is only by going through a volume of work that you will close that gap, and your work will be as good as your ambitions. And I took longer to figure out how to do this than anyone I've ever met. It’s gonna take a while. It’s normal to take a while. You've just gotta fight your way through." Ira Glass 

In your writing, we are looking for clarity and quality of thought and expression, supported by objective reasoning and reflection. You need to present evidence of your ability to produce creative thinking on your specialism issues by critically addressing and assessing key areas of your music production, performance and business practice. Include links to social networks and social media use to illustrate points in your essay.

How should I structure my portfolio?

Format and Access:

  • You may submit your portfolio via Google Drive, Dropbox, or a similar cloud storage service, ensuring that access is granted to anyone with the link.
  • Alternatively, you can submit a PDF or Word document with hyperlinks to your work, such as tracks, videos, or reports.
  • Written work must be submitted as a Word document.
  • For tracks, you can hyperlink to streaming platforms. Please ensure that private YouTube or SoundCloud links are accessible with the provided link.
  • For videos, ensure these are of a high enough quality to be viewed clearly (preferably 720p or higher).  

How will my portfolio be evaluated?

The approach of the Foundation year is to develop core skills in making musical and academic work. Your portfolio is assessed on your current production level and how the course can best assist you in developing your skills, providing you with a good solid start for working in music. 

What happens next?

Your portfolio and application will be reviewed by one of the academic team and selected applicants ill be invited to an applicant event that allows you to experience the university campus and course learning. 

Top tip from our course team 

Whatever the genre or field of the music industry you are most interested in or have skills in, showcase your originality and creativity. Let your unique voice and aspirations shine through in your portfolio.

Please do not send in portfolios until requested to do so by the University's Admissions team. You will be notified by email about when to submit your portfolio.

What our students say

Daria Greth

Music: Production, Performance and Business BA

Our music facilities are probably the best I have ever seen. Our recording and live studios have everything you might need, and the technical team there is always available to help students. Area 51, the university’s live music venue (and personally my favourite place on campus), is an amazing space to level up your performance skills and practice with professional live gear.

Csilla Jakab

Music: Production, Performance and Business BA - 2022

I’ve particularly enjoyed the flexibility of my course. It has allowed me to build my own ideas into reality. Course material is always up-to-date, and oftentimes we look at the new developments and problems that the music industry is currently facing.

Tom Piner

Music Production, Performance and Enterprise BA/BMus (now Music Production, Performance and Business BA) - 2022

Having a place to perform and practice a live set, available for students to use all week, is incredible. I wouldn't be at the musical level I am now without the practice rooms.

What our students say

Roopa Hulikunta

Music Production, Performance and Business BA - 2025

Westminster stood out because it provides a course that covers all aspects of music—an approach I believe is essential for any artist looking to understand the full spectrum of the industry.

Learn new skills

Learn a new language

From Arabic to Spanish, you can learn a new language alongside your degree with our Polylang programme

Develop your entrepreneurial skills

Access industry networking events, workshops, one-to-one business advice and start-up support through our award-winning WeNetwork.

Gain extra qualifications

We provide access to free online courses in Adobe and Microsoft Office applications, as well as thousands of specialist courses on LinkedIn Learning.

Fees and Funding

UK tuition fee: £9,790 (Price per academic year)

Please note that if you defer your place, the first year’s tuition fees will be those of the academic year in which you enrol, which may be higher than the fee shown for this year.

Fees are subject to UK Government Parliamentary procedure.

Find out how we set our tuition fees.

Funding

As well as tuition fee loans, there is a range of funding available to help you fund your studies.

Find out about undergraduate student funding options.

Scholarships

The University is dedicated to supporting ambitious and outstanding students and we offer a variety of scholarships to eligible undergraduate students, which cover all or part of your tuition fees.

Find out if you qualify for one of our scholarships.

Additional costs

See what you may need to pay for separately and what your tuition fees cover.

International tuition fee: £17,600 (Price per academic year)

When you have enrolled with us, your annual tuition fees will remain the same throughout your studies with us. We do not increase International tuition fees.

Please note that if you defer your place, the first year’s tuition fees will be those of the academic year in which you enrol, which may be higher than the fee shown for this year.

Find out how we set our tuition fees.

EU Qualifications Welcome Award Scheme

If you are an international student accepted on an undergraduate programme starting in September at level 3 (Foundation) or level 4 (first year) on the basis of an eligible EU qualification only, you will be awarded a £4,500 tuition fee reduction off your first year of studies. For more information, see the EU Qualifications Welcome Award Scheme.

International student funding

Find out about funding for international students.

Additional costs

See what you may need to pay for separately and what your tuition fees cover.

UK tuition fee: £9,790 (Price per academic year)

Please note that if you defer your place, the first year’s tuition fees will be those of the academic year in which you enrol, which may be higher than the fee shown for this year.

Fees are subject to UK Government Parliamentary procedure.

Find out how we set our tuition fees.

Funding

As well as tuition fee loans, there is a range of funding available to help you fund your studies.

Find out about undergraduate student funding options.

Scholarships

The University is dedicated to supporting ambitious and outstanding students and we offer a variety of scholarships to eligible undergraduate students, which cover all or part of your tuition fees.

Find out if you qualify for one of our scholarships.

Additional costs

See what you may need to pay for separately and what your tuition fees cover.

International tuition fee: £17,600 (Price per academic year)

When you have enrolled with us, your annual tuition fees will remain the same throughout your studies with us. We do not increase International tuition fees.

Please note that if you defer your place, the first year’s tuition fees will be those of the academic year in which you enrol, which may be higher than the fee shown for this year.

Find out how we set our tuition fees.

EU Qualifications Welcome Award Scheme

If you are an international student accepted on an undergraduate programme starting in September at level 3 (Foundation) or level 4 (first year) on the basis of an eligible EU qualification only, you will be awarded a £4,500 tuition fee reduction off your first year of studies. For more information, see the EU Qualifications Welcome Award Scheme.

International student funding

Find out about funding for international students.

Additional costs

See what you may need to pay for separately and what your tuition fees cover.

Teaching and Assessment

Below you will find how learning time and assessment types are distributed on this course. The graphs below give an indication of what you can expect through approximate percentages, taken either from the experience of previous cohorts, or based on the standard module diet where historic course data is unavailable.  Changes to the division of learning time and assessment may be made in response to feedback and in accordance with our terms and conditions.

How you'll be taught

Teaching methods across all our undergraduate courses focus on active student learning through lectures, seminars, workshops, problem-based and blended learning, and where appropriate practical application. Learning typically falls into three broad categories:

  • Scheduled hours: examples include lectures, seminars, practical classes, workshops, supervised time in a studio
  • Placement: placement hours normally include placement opportunities, but may also include live projects or virtual activity involving employers
  • Independent study: non-scheduled time in which students are expected to study independently. This may include preparation for scheduled sessions, follow-up work, wider reading or practice, completion of assessment tasks, or revision
Year
Year
F
25%Scheduled hours75%Independent study0% Placement
Year
1
28%Scheduled hours72%Independent study0% Placement
Year
2
22%Scheduled hours78%Independent study0% Placement
Year
P
4%Scheduled hours6%Independent study90%Placement
Year
3
22%Scheduled hours78%Independent study0% Placement
Scheduled hoursIndependent studyPlacement

How you'll be assessed

Our undergraduate courses include a wide variety of assessments.

Assessments typically fall into three broad categories:

  • Practical: examples include presentations, videos, podcasts, lab work, creating artefacts  
  • Written exams: end of semester exams 
  • Coursework: examples include essays, reports, in-class tests, portfolios, dissertation
     
Year
Year
F
0% Practical27%Coursework
Year
1
1%Practical46%Coursework
Year
2
0% Practical37%Coursework
Year
P
0% Practical0% Coursework
Year
3
0% Practical21%Coursework
PracticalCoursework

Data from the academic year 2025/26

Supporting you

Our Student Hub is where you’ll find out about the services and support we offer, helping you get the best out of your time with us.

  • Study support – workshops, 1-2-1 support and online resources to help improve your academic and research skills
  • Personal tutors – support you in fulfilling your academic and personal potential
  • Student advice team – provide specialist advice on a range of issues including funding, benefits and visas
  • Extra-curricular activities – volunteering opportunities, sports and fitness activities, student events and more

Visit our student hub

Course Location

Harrow is our creative and cultural hub, home to most of our arts, media and digital courses. It houses state-of-the-art facilities for every discipline, including project and gallery spaces, film studios, creative labs, collaborative learning spaces, and the Westminster Enterprise Network.

Harrow Campus is based in north-west London, just 20 minutes from the city centre by train.

For more details, visit our Harrow Campus page.

This course is based at our Harrow Campus, but to make the most of our teaching spaces and wider learning opportunities, some modules or activities may take place at our central London campuses. These may include guest lectures, degree shows or other teaching activities.

CHANGES TO OUR COURSES

All content on our course pages is accurate at time of publication.

Where significant or material changes have been made, applicants will be informed of these in line with Competition and Markets Authority guidance.

Contact us

Call our dedicated team on:

+44 (0)20 7911 5000 ext 65511

Opening hours (GMT): 10am–4pm Monday to Friday

[email protected]

Start live chat

Opening hours (GMT): 10am–4pm Monday to Friday

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