I am an artist using a wide range of media, including photography, video, sound, interactive installation, performance, objects and books. I originally studied fine art (painting), but am now primarily interested in photography, video and sound installation. My projects usually require a long period of research, and are often collaborative, negotiating the boundaries between science and art. Since creating the award-winning After Image (portrait photographs made with people who experience phantom limbs, funded by The Wellcome Trust, 1997) I have regularly worked with people affected by disabilities, life-changing medical conditions and, more recently, mental health issues. In 2012, funded by an AHRC Fellowship, I made photographic portraits with people who experience psychosis. Since 2007 I have participated in an interdisciplinary study into the psycho-social effects of heart transplant led by cardiologist, Dr Heather Ross at Toronto General Hospital. In response to this scientific research, I created the interactive audio installation, 'Heart of the Matter', (2014). In 2017 I was awarded an AHRC Network grant to bring the project to the UK and organised events at University of Westminster Harrow Campus and Winchester School of Art. This was followed by an exhibition and symposium at Concordia University in Montreal, Canada in 2019.
Another recent project is 'Piecing it Together', a participatory project involving people with mental health difficulties. I am currently making a series of video works that interpret the experiences of some of the project participants.
My single authored book, Monstrosity: the Human Monster in Visual Culture, was published by IB Tauris in June, 2013. The first chapter of this book has been reprinted in The Monster Theory Reader ed. Jeffrey Weinstock, University of Minnesota Press, (2019). While my research is interdisciplinary and is expressed in a variety of forms, the theme of human identity is key to all the different projects.
I joined the University of Westminster in 1999. Until 2011 I held two separate posts at the University, as a Researcher and then as Senior Lecturer in the Photography department at Harrow, and simultaneously Senior Lecturer in the School of Humanities. I am currently a Reader (0.5FTE) in this school. The remainder of the time I am a practicing artist.
From September 1999 to November 2011 I was one of the key teaching staff on the MA Photographic Studies in the department of Media Art and Design. Since 2000 I have also been a core member of the teaching team for the current MA Art & Visual Culture, and have designed several modules for this course. I now teach on the MA Museums, Galleries and Contemporary Culture, as well as on some undergraduate courses. On the MA Museums Galleries and Contemporary Culture I am module leader for Curating Contemporary Art in the first semester and supervise Dissertations throughout the year. I contribute to the MA Art & Visual Culture and am module leader for the Undergraduate study abroad module, Photography in London.
I welcome relevant PhD proposals, particularly those that are practice-led and relate to art-medical science; photography/video/installation or the subject of monstrosity.
I work with photography, video, sound and interactive digital media to investigate the way that human identities are constructed. My projects usually require a long period of research, often involving collaborations with scientists or people with disabilities, or specific medical conditions. The resulting works aim to challenge expectations, sometimes undermining conventional disciplinary boundaries. One important and innovative aspect of all my work is the way that it encourages the viewer or listener to reflect on his or her own point of view. For example, in the computer installation Alter Ego (2005), which is a kind of virtual mirror, people literally see themselves. The most recent interactive installation, Conversation Piece (2009) reflects on the way that we (humans) communicate by giving the user the sense that he or she is entering into an intimate dialogue with an invisible virtual character. The photographic and video works, such as the digitally manipulated photographic self-portraits with disabilities, 'I' (1999) or the video installation Cover Story (2009), which explores the effects of facial deformity, also provoke viewers to become aware of the mechanisms we use to relate to human difference. Since the mid-1990s I have successfully raised and managed a substantial amount of research funding I have recruited and project-managed interdisciplinary teams working on several large projects. In relation to each of the large-scale projects I have undertaken I have conducted extensive literature searches and established links with other academic institutions, both nationally and internationally, and have presented my research at conferences internationally. I have successfully managed research budgets of up to £100,000. I have assisted and advised students and recent graduates to write successful project proposals and funding applications. I have been a regular referee for the Wellcome Trust Arts Awards, and have also been a referee for the AHRC.
My artworks have work has been shown nationally and internationally, exhibitions include: Hybrid Bodies, Hybrid Minds, Concordia University Gallery, Montreal (2019); Visions in The Nunnery, Bow Arts, London (2016); Hybrid Bodies, KunstKraftWerk, Leipzig, Germany (2016); Piecing it Together, St Pancras Hospital, London (participatory project), (2016); Phantom Limb Victoria Museum & Gallery, Liverpool (2016); The Flesh of The World, Justina M Barnicke Gallery/University of Toronto Art Centre (2015); Slippage, The Unstable Nature of Difference, Chester University Gallery (2015); NordArt2015, Büdelsdorf, Germany, (2015); Crafting Anatomies, Bonnington Gallery, Nottingham (2015); Hybrid Bodies, PHI Centre, Montreal (2014); Jersey Arts Centre, St Helier, Jersey (2013); Harris Museum & Art Gallery, Preston (2012); Photographer’s Gallery, London (2012); The Definition of Self, 21_21 Design Sight Gallery, Tokyo (2010); Kunstraum Kreuzberg Bethanien, Berlin, (2010); ISEA, Ormeau Baths Gallery, Belfast (2009); Amber 08, BM Suma Gallery, Istanbul, (2008); ‘El cuerpo (con)sentido’, Centro de Historia, Zaragoza, Spain (2008); FILE ‘07, SESI Art Gallery, Sao Paolo (2007); International Women Artists’ Biennale, Incheon Arts Centre, Korea (2007); Powerhouse Museum, Sydney (2006); Scottish National Portrait Gallery, Edinburgh (2006).
From 2007-2019 I was part of an interdisciplinary team of researchers based at University of Toronto studying the psychosocial effects of heart transplant. The results of this project were first shown at the PHI Centre in Montreal in January 2014.
At Westminster, I am part of the CREAM research group, which brings together the disciplines of ceramics, visual arts, photography, film, experimental media, music and fashion. CREAM runs a lively programme of seminars and visiting speakers, and has organised ground-breaking conferences and symposia in collaboration with other institutions.