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I joined Westminster in 2015 as a postdoctoral fellow in English and was appointed as a lecturer in 2017 and a senior lecturer in 2020. I studied at the University of Manchester (BA Hons, Philosophy) and the University of Salford (MA Literature, Culture & Modernity; PhD, English). I also hold a Postgraduate Certificate in Higher Education and I am a Fellow of the Higher Education Academy. Before joining Westminster I taught at the University of Salford and Liverpool John Moores University.


I currently teach at undergraduate level on 'Keywords for Literary Studies' (level 4), 'The Novel' (level 5), 'The Modernist World' (level 6) and the English Literature tutorial modules at levels 4 and 5. I also supervise dissertations at level 6.

I am Course Leader for the MA in Cultural and Critical Studies, and teach on the MA modules 'Capitalism and Culture', 'Themes and Problems in Modern and Contemporary Literature', and 'Materialities, Institutions and Contexts'. I supervise MA dissertations in literature, cultural studies and visual culture.  

I have previously taught modules, at Westminster or elsewhere, on American literature, modernism, literary theory, creative writing, working-class fiction, and interwar women's writing.


My research to date has mainly focused on cultural relationships with the political left in Britain, and is motivated by an attempt to reconnect currents in creative and critical practice to modes of political commitment. My first book, The Popular Front Novel in Britain, 1934-1940, was published by Brill in 2017. Aiming to prise open an image of the 1930s as a moment of failed engagement between writing and political activism constructed by post-war anti-communist discourse, this book reconstructs the relationship between British novelists and the ‘Popular Front’ strategy endorsed by the Communist International in 1935, identifying the novel as a key site in which the politics of anti-fascist alliance were rehearsed. Central issues under examination include the role the novel played in cultural anti-fascism; how the novel and its politics were theorised; how British fiction plays out the ‘national turn’ instituted by the Comintern in 1935; and how fiction associated with this formation relates to wider international bearings, especially the heritage of literary modernism and the codification of socialist realism in the Soviet Union. An interview with me about this project can be found here (original French version here).

I am currently interested in fascism (and anti-fascist struggle) in Britain and its relationships with mid-century aesthetics, particularly as they pertain to landscape. Some work on this is forthcoming in my chapter 'Spectres of English Fascism: History, Aesthetics and Cultural Critique', in The 1930s: A Decade in British Fiction, which I have co-edited with Nick Hubble and Luke Seaber. 

My wider research interests encompass creative and theoretical relationships between Marxism, modernism and realism; the theory of the novel; and working-class cultural production. 

I am a member of the executive committee of the Raymond Williams Society ( and a regular contributor to its journal, Key Words: A Journal of Cultural Materialism. I am also on the editorial advisory group for Twentieth Century Communismas well as contributing to journals including Radical Philosophy, Socialist History, North West Labour History and the TLS


For details of all my research outputs, visit my WestminsterResearch profile.