For the 2020 Robin Evans Lecture, we are delighted to be joined by Eyal Weizman, founding director of Forensic Architecture and Professor of Spatial and Visual Cultures at Goldsmiths, University of London.
In light of the current pandemic, this year’s lecture will be delivered online. Further details around the topic and discussion of this year’s lecture will be made available via Eventbrite in due course.
About the speaker
Eyal Weizman is the founding director of Forensic Architecture and Professor of Spatial and Visual Cultures at Goldsmiths, University of London.
The author of over 15 books, he has held positions in many universities worldwide including Princeton, ETH Zurich and the Academy of Fine Arts in Vienna. He is a member of the Technology Advisory Board of the International Criminal Court and the the Centre for Investigative Journalism. In 2019 he was elected life fellow of the British Academy and appointed Member of the Order of the British Empire (MBE) in the 2020 New Year Honours for services to architecture.
Eyal studied architecture at the Architectural Association, graduating in 1998. He received his PhD in 2006 from the London Consortium at Birkbeck, University of London
How to book
You can register for the event on Eventbrite.
In light of the current pandemic, this year’s lecture will be delivered online via the University of Westminster’s GoToWebinar account. After registering on Eventbrite, you'll receive an email from the Event Coordinator asking you to complete a simple registration form (name and email address only) on GoToWebinar.
You'll then receive an email from University of Westminster via [email protected] with a calendar invite and a unique link to join the Webinar. Please note: This link is unique to each registrant and should not be shared with others.
About the Robin Evans Lecture Series
This series supports outstanding scholarship in the history of architecture and allied fields, building on the work of Professor Robin Evans (1944-1993). It encourages scholars working on the relationship between the spatial and social domains in architectural drawing, construction and beyond. Evans’ work interrogated the spaces that existed between drawing and building, geometry and architecture, teasing out the points of translation often overlooked.
From his early work on prison design and domestic spaces, through to his later work on architectural geometry, Evans sought to articulate the multiple points at which the human imagination could influence architectural form. His first book, The Fabrication of Virtue, analysed the way that spatial layouts provided opportunities for social reform via their interference with morality, privacy and class. In The Projective Cast: Architecture and its Three Geometries, Evans traced the origins of the humanist tradition to understand how human form influenced architectural drawing and construction, focusing on aesthetic dimensions in the production of architectural space.
This series will provide opportunities for the creation and/or dissemination of work by scholars working on similar questions of space, temporality, and architecture. In particular, it supports work that breaks the boundaries of traditional disciplines to think though these complex networks involved in the space between human imagination and architectural production.