19 June 2013
|Time:||6:00pm to 8:00pm|
- John Gittings, Research Associate at the Centre of Chinese Studies, School of Oriental & African Studies, London University, on ‘The Glorious Art of Peace: from the Iliad to Iraq’
Human progress and prosperity depend on a peaceful environment, yet our perception of the past is dominated too often by a narrative that is obsessed with war. The paper demolishes the myth that peace is dull and that war is in our genes, and opens an alternative window on history to show the strength of the case for peace which has been argued from ancient times onwards. It needs to be asserted even more loudly today as the world faces multiple global challenges.
After teaching at the University of Westminster, John Gittings worked at The Guardian for twenty years as assistant foreign editor and chief foreign leader-writer. Having specialised for many years on China and East Asia, he has recently published ‘The Glorious Art of Peace: from the Iliad to Iraq’ (OUP, 2012), and is an Associate Editor of the Oxford International Encyclopaedia of Peace.
- Professor Andrew Lincoln, Professor of English at Queen Mary, University of London, on ‘Culture of War and Civil Society’
The paper combines an interest in eighteenth-century culture with a modern concern with how democracies wage war. It is part of a much broader project on the culture of war, which is primarily concerned with 'soft' justifications for war, in particular justifications framed in terms of politeness, humanity, and the civilizing process. Its focus will be on how current debates about 'democratic peace theory' echo issues that arose in eighteenth-century attempts to develop a 'science of man'. The eighteenth-century attempt to claim that modern commercial societies, supposedly governed by ideals of justice and humanity, tends to externalise their norms of conflict resolution in the realm of war runs up against the evidence of terrible brutality on the battlefield and bellicose nationalism at home.
Andrew Lincoln’s research interests include enlightenment social theory, the culture of romanticism, and the culture of war in eighteenth-century Britain. He is interested in relationships between alternative understandings of history. He is currently exploring the role of ideas of progress, politeness, humanity, and aesthetic autonomy in the justification of war in British culture from the late-seventeenth century to the Napoleonic period. He has recently published ‘War and the Culture of Politeness: The Case of The Tatler and The Spectator’, Eighteenth-Century Life, 36 (2012), 60-79 and ‘The Culture of War and Civil Society in the Reigns of William III and Anne’, Eighteenth-Century Studies, 44 (2011), 455-474.