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English, Linguistics and Cultural Studies | Department

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I joined the Department of English, Linguistics and Cultural Studies at Westminster as a Postdoctoral Teaching and Research Fellow in summer 2015. Prior to coming to Westminster, I taught at the Department of English Studies, Durham University. I hold a PhD in English from Durham and an MA in Comparative Literature from King's College London. In 2014 I was an Eccles Centre Fellow in American Studies at the British Library and a visiting researcher at Dartmouth College, USA in April 2015.

At Westminster, I teach on BA in English Literature (contributing to the Level 4 Introduction to Arts and Culture, Level 4 Keywords, Level 5 Critical Perspectives and Level 5 Making Memory) and MA in Modern and Contemporary Fiction (co-teaching core module Institutions and Histories), MA Cultural and Critical Studies, and MA in Art and Visual Culture.  

I also work alongside Dr Sara Dominici, overseeing day-to-day running of MA in Art and Visual Culture. I am a Module Leader for the core module Visual Culture: Production, Display and Discourse and the Art and Visual Culture Dissertation module. I am also a module leader on a new Digital Cultures module, due to launch in 2017/18.

I supervise undergraduate extended essays and dissertations and MA dissertations in Art and Visual Culture and Cultural and Critical Studies.

I also have a long-standing commitment to Access to Higher Education teaching and I have designed and delivered a number of outreach courses and summer schools. 

My research interests span avant-garde and experimental art and writing, experimental and underground publishing, artists books and artists writing, visual cultures, digital culture, as well as intersections of humanities, technology and law. The unifying strand of my research is an interest in diverse form of appropriation in art and writing. 

I have recently completed my fist book - The is not a copy: writing at the Iterative Turn (forthcoming 2018) - which investigates the implications of the prominent propensity to copy as a creative practice in contemporary culture. In this project, I explore contemporary approaches to cultural production as a manifestation of what I call the Iterative Turn in order to re-think copying in art and writing as a critical praxis. 

My other publications focus on ideas of formal experimentation, conceptual writing, originality, curatorial practices in contemporary writing, digital culture, as well as contemporary surveillance practices online and explore works of writers and artists such as Robert Fitterman, Mimi Cabell, Jason Huff, Bob Brown, Helene Hegemamnn, Michel Houellebecq, Kenneth Goldsmith, and Shia LaBeouf, among others. 

My current research builds on ideas explored in my monograph and interrogates diverse developments triggered by or related to The Iterative Turn, including the emergence of curatorial culture as a dominant contemporary model of cultural production, practices of re-performance and re-staging exhibitions and contemporary uses of appropriation in digital media, film, and photography. These interests are related to my ongoing project - Appropriation Now - exploring the history of appropriation art from 1970s to the present, but focusing in particular on appropriation as an artistic strategy in the work of The Pictures Generation and their impact on contemporary artistic practices. 

I am also working on my second monograph. Focusing on self-publishing as an artistic strategy from 1960s - present, the project explores transformations of reproduction technologies as they impact on distribution models of art and writing in the late 20th and early 21st centuries. The project explores diverse forms of self-publishing  - from artists books, through ephemera, zines and photo-books, to contemporary forms of post-digital print - to ask questions about the relationship between experimentation in art and writing and non-traditional forms of circulation and distribution of art. 

In 2015/16, I curated a series of events at Carroll/Fletcher gallery in London showcasing contemporary experimental writing practices and interrogating ideas of experimentation in the arts today. I was also the organiser of the UK premiere of Mark Amerika's Immobilité an experimental mobile phone film, which was shown in May 2016 at the Regent Street cinema in London. 

Related to my interest in hybrid creative-critical forms I am currently working on a new publication based on Forms of Criticism symposium. The event, which took place at Parasol Unit in June 2016, brought together artists, curators, critics, writers and academics engaging in hybrid creative-critical practices (more information available via www.formsofcriticism.net

I am also a Principal Investigator on a BA/Leverhulme Trust funded project on Critical Digital Humanities (co-run with Dr Aden Evens at Dartmouth College, USA), which included a series of workshops and a a public lecture by Alexander Galloway. A publication based on the project's proceedings is currently in progress. 


This is not a copy: writing at the Iterative Turn (2018)
Marczewska, K. 2018. This is not a copy: writing at the Iterative Turn. London Bloomsbury Academic.


Copying (2017)
Marczewska, K. 2017. Copying. York, UK Information as Material.


The Iterative Turn (2016)
Marczewska, K. 2016. The Iterative Turn. PARSE. 3, pp. 13-28.


Erasing in the algorithmic extreme: Mimi Cabell and Jason Huff’s 'American Psycho' (2015)
Marczewska, K. 2015. Erasing in the algorithmic extreme: Mimi Cabell and Jason Huff’s 'American Psycho'. Media-N Journal. 11 (1).


Modular Form as a Curatorial Practice (2014)
Marczewska, K. 2014. Modular Form as a Curatorial Practice. Journal of Writing in Creative Practice. 7 (1), pp. 121-138.


Jeff Noon and the contemporary aesthetics of uncreativity (2015)
Marczewska, K. 2015. Jeff Noon and the contemporary aesthetics of uncreativity. in: Venezia, T. and Leggett, B. (ed.) Twenty-first-century British fiction Canterbury, Kent Gylphi Limited. pp. 267-291
Look before you cook: 1450-1950 (2015)
Marczewska, K. and Brown, B. 2015. Look before you cook: 1450-1950. in: Saper, C. (ed.) Bob Brown: 1450-1950 New York Roving Eye Press.


'There is no such thing as originality anyway... ': authorship in the age of digital reproduction (2014)
Marczewska, K. 2014. 'There is no such thing as originality anyway... ': authorship in the age of digital reproduction. in: Cobb, R. (ed.) The paradox of authenticity in a globalized world New York Palgrave Macmillan. pp. 157-174


Heritage North N8/AHRC Consortium report (2013)
Marczewska, K. 2013. Heritage North N8/AHRC Consortium report. Durham University, Durham Research in English at Durham (READ) .


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